Books with author Zora Neale Hurston

“Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”—Ch. 20.In the beginning, there was Nanny. Nanny knew what it meant to be a slave to men. And Nanny had a daughter. She saw what happened to her, how she chose to escape pain in oblivion. And Nanny was scared. She was so scared that she wanted to prevent the same thing from happening to her daughter’s daughter, even if it meant that she had to force her grandchild to be unhappy. As long as she was unhappy in a different, secure way, with an old and stable man by her side.That is the background of Janie Crawford’s story. She is in her early forties, and starts telling a friend her life story in beautiful, colloquial language. And what a life it is! So common and typical, and yet individually painful and loving.—Lisa @ Goodreads.com.

“Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”—Ch. 20.In the beginning, there was Nanny. Nanny knew what it meant to be a slave to men. And Nanny had a daughter. She saw what happened to her, how she chose to escape pain in oblivion. And Nanny was scared. She was so scared that she wanted to prevent the same thing from happening to her daughter’s daughter, even if it meant that she had to force her grandchild to be unhappy. As long as she was unhappy in a different, secure way, with an old and stable man by her side.That is the background of Janie Crawford’s story. She is in her early forties, and starts telling a friend her life story in beautiful, colloquial language. And what a life it is! So common and typical, and yet individually painful and loving.

Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”—Ch. 20.In the beginning, there was Nanny. Nanny knew what it meant to be a slave to men. And Nanny had a daughter. She saw what happened to her, how she chose to escape pain in oblivion. And Nanny was scared. She was so scared that she wanted to prevent the same thing from happening to her daughter’s daughter, even if it meant that she had to force her grandchild to be unhappy. As long as she was unhappy in a different, secure way, with an old and stable man by her side.That is the background of Janie Crawford’s story. She is in her early forties, and starts telling a friend her life story in beautiful, colloquial language. And what a life it is! So common and typical, and yet individually painful and loving.

One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.About the Author:Zora Neale Hurston was an American folklorist, anthropologist, and author. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel Their Eyes Were Watching God.In addition to new editions of her work being published after a revival of interest in her in 1975, her manuscript Every Tongue Got to Confess, a collection of folktales gathered in the 1920s, was published posthumously after being discovered in the Smithsonian archives.

One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.About the Author:Zora Neale Hurston was an American folklorist, anthropologist, and author. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel Their Eyes Were Watching God.In addition to new editions of her work being published after a revival of interest in her in 1975, her manuscript Every Tongue Got to Confess, a collection of folktales gathered in the 1920s, was published posthumously after being discovered in the Smithsonian archives.

“Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”—Ch. 20.In the beginning, there was Nanny. Nanny knew what it meant to be a slave to men. And Nanny had a daughter. She saw what happened to her, how she chose to escape pain in oblivion. And Nanny was scared. She was so scared that she wanted to prevent the same thing from happening to her daughter’s daughter, even if it meant that she had to force her grandchild to be unhappy. As long as she was unhappy in a different, secure way, with an old and stable man by her side.That is the background of Janie Crawford’s story. She is in her early forties, and starts telling a friend her life story in beautiful, colloquial language. And what a life it is! So common and typical, and yet individually painful and loving.—Lisa

“Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”—Ch. 20.In the beginning, there was Nanny. Nanny knew what it meant to be a slave to men. And Nanny had a daughter. She saw what happened to her, how she chose to escape pain in oblivion. And Nanny was scared. She was so scared that she wanted to prevent the same thing from happening to her daughter’s daughter, even if it meant that she had to force her grandchild to be unhappy. As long as she was unhappy in a different, secure way, with an old and stable man by her side.That is the background of Janie Crawford’s story. She is in her early forties, and starts telling a friend her life story in beautiful, colloquial language. And what a life it is! So common and typical, and yet individually painful and loving.—Lisa @ Goodreads.com.

“Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”—Ch. 20.In the beginning, there was Nanny. Nanny knew what it meant to be a slave to men. And Nanny had a daughter. She saw what happened to her, how she chose to escape pain in oblivion. And Nanny was scared. She was so scared that she wanted to prevent the same thing from happening to her daughter’s daughter, even if it meant that she had to force her grandchild to be unhappy. As long as she was unhappy in a different, secure way, with an old and stable man by her side.That is the background of Janie Crawford’s story. She is in her early forties, and starts telling a friend her life story in beautiful, colloquial language. And what a life it is! So common and typical, and yet individually painful and loving